Eurovision 2019 🇮🇱 Ronen Levin, set designer for the 1999 contest in Jerusalem, speaks about the upcoming stage design and lashes on Portugal’s stage idea
Fotis Konstantopoulos (Greece)
ISRAEL – Ronen Levin, set designer for the 1999 contest in Jerusalem, spoke of the requirements, citing the importance of international involvement.
“The main share of the set-up in such an event is actually a combination of video and lighting, so in any scenario a team of designers from different specialization fields is needed.
There are very talented people in Israel, but cooperation with international artists can always be fruitful and enriching.
In this production everyone knows that there is not only no room for error, but that there is an opportunity here to impress the world, especially since not every country has directors with experience of stage building of this magnitude.
The stage of the last ESC in Lisbon will not be remembered for the better. It was inspired by four points of Portuguese culture and history – navigation, sea, ships and maps.
It was not particularly beautiful, and certainly not a breakthrough. Will be remembered mainly because there were no basic screens and because of the low budget allocated for the competition.”